Introducing the work of Morgana Celeste, a Melbourne-based emerging artist showcasing her artworks at pépite in her first solo show. Morgana’s textural, three-dimensional abstract works sit somewhere between painting and sculpture, resulting in vivid and tactile statement pieces.
Introducing the work of Morgana Celeste, a Melbourne-based emerging artist showcasing her artworks at pépite in her first solo show. Morgana’s textural, three-dimensional abstract works sit somewhere between painting and sculpture, resulting in vivid and tactile statement pieces.
Introducing the work of Morgana Celeste, a Melbourne-based emerging artist showcasing her artworks at pépite in her first solo show. Morgana’s textural, three-dimensional abstract works sit somewhere between painting and sculpture, resulting in vivid and tactile statement pieces.

Original painting titled 'Opalescent Particles'

Regular price $820.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Acrylic Paint, Paper, Cement, Plywood. Oak frame by Melbourne fine art framers 'United Measures'.
DIMENSIONS:

280mm x 295mm

ORIGIN:
Melbourne

Price includes framing - please allow 3 weeks for framing by Melbourne fine art framers 'United Measures'.

Please note that all artwork sales are final. 

Pick-up from Collingwood available, select Click & Collect at checkout.
$40 Shipping within Australia.

MORGANA CELESTE is a Melbourne-based florist and emerging artist. Combining her love of materiality and composition, Morgana makes textural, abstract three-dimensional works that sit somewhere between painting and sculpture.

Morgana studied floristry and textile design, further exploring her interest in colour, pattern and making compositions. As a florist and half of Melbourne creative duo Candy MT, Morgana would often create three-dimensional structures and props to accompany her floral installations, leading her to experiment with scale, different media and materials.

Drawing on this experience and her hands-on approach, Morgana began experimenting with paper in 2018.

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